Anthony Tommasini, music critic for The New York Times, wrote a piece fondly recalling an opera production that Distinguished Artist-in-Residence Scott Wheeler directed, “The Mother of Us All,” in advance of a New York Philharmonic performance of “Mother” with the Juilliard School and the Metropolitan Museum of Art in February.
Jade Catta-Preta has gone from majoring in Musical Theater at Emerson to hosting E!’s The Soup.
The Emerson Dance Company hosted Sarita Allen, an original member of the Alvin Ailey Repertory Ensemble, who taught a masterclass and led a panel discussion on October 26 and 27.
Hysteria, is being presented by the Neo-Political Cowgirls (NPC) on October 30 at the Old South Church, and all proceeds will benefit the Lucas Flint Scholarship Fund.
Do Oscars become doorstops? Are Tonys put on a shelf surrounded by stuffed animals?
It’s a new academic year, with new buildings, new students, and naturally, new faculty. Here’s a little guide to help you get to know School of the Arts’s newest full-time instructors.
We all had classes that changed the way we thought, changed how we viewed life, or changed what profession we wanted to work in.
A year after founding UK audio platform Almost Tangible, actress/entrepreneur Charlotte Melén ’97 found herself at the New York Festivals Radio Awards earlier this summer, collecting six awards for the company’s debut podcast, Macbeth, including the Grand Trophy.
Jessica Phillips graduated from Emerson College in 1994 with a BFA in Musical Theatre, and studied under the tutelage of the revered Leo Nickole. Phillips is starring in the national tour of the Tony and Grammy Award-winning musical Dear Evan Hansen as Heidi Hansen.
Finding Khaya, filmed in Cape Town over six weeks earlier this summer, was a collaboration between Emerson and AFDA students, led by Senior Distinguished Director-in-Residence Regge Life and Associate Professor Harlan Bosmajian, a cinematographer, who co-teach a similar class at Emerson.