Charles Wesley Emerson Professor and Pulitzer prize-winner Megan Marshall writes about her experiences and thoughts walking through Mt. Auburn Cemetery during the past few weeks of social distancing for the online journal of Arrowsmith Press.
VMA affiliated faculty member Erin Trahan, who is also a film writer for The ARTery, highlights the ReelAbilities Film Festival, which has moved online in light of the COVD-19 pandemic.
David Dower, ArtsEmerson’s artistic director, was interviewed for a piece describing the effect of COVID-19 on the theatre world, which has essentially grinded to a halt amidst the global health pandemic.
WCVB’s Chronicle aired a “College Road Trip” segment (filmed in February), visiting higher education institutions around the state, and included a visit to WERS.
Communications Studies Assistant Professor Vincent Raynauld spoke to Tech News World regarding a recent UC Berkeley study that says Youtube is reducing conspiracy theories on its platform.
Communication Studies Senior Lecturer Owen Eagan contributed to a piece regarding the “Varsity Blues” college admissions scandal as it it is hitting TV and movies, in a segment that aired on WGBH’s Morning Edition and All Things Considered.
Charles Wesley Emerson Professor Megan Marshall reviewed “These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson,” a new work by Martha Ackmann that examines further the life of poet Emily Dickinson for the New York Times.
The Boston Globe’s Cate McQuaid reviewed Emerson Contemporary’s latest exhibit, Spacetime (x, y, z + t), in which contemporary artists explore art in four dimensions.
Michael Tucker, Executive-In-Residence in the Marketing Communication department, says there is a good reason businesses use animals as the figureheads for their brands. We have known animals our whole lives, and they are, quite simply, our lovable friends.
“Common Ground Revisited,” based on the Pulitzer-Prize winning book Common Ground: A Turbulent Decade in the Lives of Three American Families, will be performed at the Huntington Theatre in January 2021, directed by Emerson professor and Hartford Stage artistic director Melia Bensussen.
