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Record Number of Participants Take Part in Emerson LA’s PitchFest

Faculty member James Macak poses with a photo with judge Tesha Kondrat ’13 after he received a surprise gift from Boston. Photo/Daryl Paranada
By Tommy McArdle ’19

A web series about the aftermath of alien abductions, a comedy pilot about a young mix-raced woman trying to make it in Los Angeles, and a feature-length screenplay about Hollywood actor Nicolas Cage won the top prizes at Emerson College Los Angeles’s fifth annual PitchFest competition, sponsored by Final Draft, on November 8.

Fifteen contestants—seven current students, eight Emerson alumni—pitched their television show, web series, and screenplay concepts to a panel of industry professionals in fewer than 90 seconds. Sean Barclay ’99, a partner at The Gersh Agency; Lourdes Diaz ’93, president of television at AGC Studios; Jesse Harris ’12, a director and writer; and Tesha Kondrat ’13, a writer on Robot Chicken, served as judges for the competition.

Before kicking off the event, Emmy-winner Kondrat moderated a panel on the art of pitching. Judges offered advice to the crowd of 50 on how to pitch ideas in a professional setting.

judges and winners
Emerson LA’s PitchFest judges and winners. From left: Lourdes Diaz ’93, Jesse Harris ’12, Tesha Kondrat ’13, Derek Hutchins, MFA ’19, Sydney Atkins ’18, Jess Morse 16, and Sean Barclay ’99. Photo/Daryl Paranada

“If you’re not excited about your pitch, they’re not going to be excited about your pitch,” said Harris, who most recently wrote for Marvel’s Jessica Jones. “Go in there, have enthusiasm, know what you’re talking about, feel good about it. It’s one of those things that sounds simple, but it’s present in every good pitcher I’ve ever seen.”

During the competition, contestants took to the mic and received constructive criticism from the judges after delivering their pitches. Alumni and students competed to win the screenwriting software Final Draft and a gift certificate to attend Writers Guild events. Additionally, the audience favorite award was decided by a popular vote among the event’s attendees.

The audience laughed and cheered as their friends and peers presented imaginative, dramatic, and funny television and film concepts. Creative characters dominated the night, from a man who serves simultaneously as a Catholic priest, police officer, and doctor, to an ancient Roman gladiator sucked into a wormhole and brought to a modern-day professional wrestling league.

Ultimately, alumnus Derek Hutchins, MFA ’19, and student Sydney Atkins ’18 won the top prizes, while alumna Jess Morse ’16 won the audience favorite award. Hutchins’s screenplay idea features actor Nicolas Cage adventuring through his own life with the help of his most famous characters, such as National Treasure’s Benjamin Gates.

“It just came from seeing the movie Mandy and thinking more about this guy and who he is and what he’s all about,” Hutchins said.

Atkins and Morse said it was encouraging to receive praise and constructive feedback for their pitches and will continue to develop and write their shows.

alumna pitches script
Alumna Jess Morse ’16 delivers her pitch as judges listen. Photo/Daryl Paranada

Faculty member James Macak, who first developed PitchFest at Emerson LA in 2015, said this year’s event reached a peak in popularity. More than 70 students and alumni entered the competition, a record high. After announcing the winners, Macak hosted a standby competition for students and alumni who were not selected for the main event. He said just as many participants took part in the standby competition as in the main one. Kondrat and Thomas Pettinelli ’13, a producer at Branded Pictures Entertainment, judged the standby competition, which was won by Ashley Sengstaken ’18 and Connor Tracy ’13.

“This year I wasn’t able to guess who our judges would pick as winners or who the audience would choose as audience favorite,” said Macak, who offered coaching sessions to each pitcher before the event. “The sheer number of strong pitches is one of the festival’s major successes, but it’s also a sign that the pitch itself has become its own genre. It’s being taught in more courses and there are more resources available for writers who want to give this a try.”

In recognition of Macak’s dedication to PitchFest, Kondrat announced during the event that the audience favorite award would be renamed in Macak’s honor and presented him with a gift from Boston. The move surprised Macak, who was quick to draw attention back to the true winners of the event: student and alumni pitchers.

“I’m often amazed at how some students and alumni struggle with pitching during their coaching sessions, but then go back to their dorms or homes and really work hard on this activity and turn out some truly amazing pitches,” he said. “The number of pitches that did impress our judges shot up this year.”

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