Alums Join Senior Writer-in-Residence for Virtual Storytelling Show
In certain and lonely times we can connect through storytelling.
In certain and lonely times we can connect through storytelling.
Emerson College students quickly pounced on an opportunity to write about the impact of the Coronavirus for The Boston Globe Magazine.
Charles Wesley Emerson Professor and Pulitzer prize-winner Megan Marshall writes about her experiences and thoughts walking through Mt. Auburn Cemetery during the past few weeks of social distancing for the online journal of Arrowsmith Press.
Scott Johnson’s next book is a monster of a novel.
By Zenebou Sylla ‘22 EmersonWrites, an urban creative writing program offering free college-level workshops for Boston area students in grades 8-12, celebrated its 10th Annual Showcase late last month at … Continue Reading EmersonWrites Celebrates a Decade of Creation and Community
Alumnus Thomas Pettinelli ’13, director of development at Branded Pictures Entertainment, has landed his first executive producer credit with the upcoming release of Followed, a horror film with an innovative take on the genre.
Charles Wesley Emerson Professor Megan Marshall reviewed “These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson,” a new work by Martha Ackmann that examines further the life of poet Emily Dickinson for the New York Times.
Associate Professor Jabari Asim shared his career trajectory, writing tips, and his thoughts on the culture of authorship in a wide-ranging conversation with EBONI Alumni Association President Charvelle Holder ’13 on February 22.
Writing, Literature, and Publishing Associate Professor and Graduate Program Director Kim McLarin gives readers a glimpse into her latest essay collection, “Womanish: A Grown Black Woman Speaks on Love and Life,” to the Globe’s Nancy Shohet West.
Associate Professor and MFA Program Director of Creative Writing Jabari Asim reviewed iconic American author Zora Neale Hurston’s compilation of stories “Hitting a Straight Lick With a Crooked Stick,” edited by Genevieve West, with a foreword by Tayari Jones in the New York Times.